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Ian Nettleton's avatar

Love this post, Anna. Great examples. And I agree - prologues can be brilliant at reeling the reader in. I always remember the prologue to Salem's Lot, set two years after the main events - two scared people on the run from something, and mention of the ghost town in Maine. And I reckon Donna Tartt put in the prologue to The Secret History because the first chapter lacks momentum. Looking forward to more posts!

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Anna Wharton's avatar

Thanks Ian, also two other great examples of prologues that work — thank you!

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Jo Candiano's avatar

Well now you're making me want to watch season 1 again... I don't mind prologues. In fact, I quite like them for the reasons you write about. They are a taster. However, the prologues you see in speculative fiction are terrible. They yell at the reader: THIS IS REALLY IMPORTANT BECAUSE IT EXPLAINS SO MUCH DONT MISS THIS. Too needy.

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Anna Wharton's avatar

Yes, it’s all about execution, isn’t it? I might watch season one again myself… I’ve seen it now about six or seven times, and I’ve never done that befor

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Karen's avatar

Such a helpful article. Thank you! I am currently writing a prologue and experiencing first hand the real benefits. Hooking the reader, subtle foreshadowing and preventing the need for exposition in the main narrative - perfect!

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Anna Wharton's avatar

Thank you! I’m glad you enjoyed it! Yes, a prologue can really enhance a text if it’s got a particular function. So pleased to hear you’re discovering that!

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